“Hopelessly Devoted To You” by Olivia Newton-John (from GREASE) – Bede Jermyn
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Super Marcey and Bede Jermyn are proud to announce that The Super Network is now on Patreon! Continue reading
Super Marcey and Bede Jermyn are proud to announce that The Super Network is now on Patreon! Continue reading
“Hopelessly Devoted To You” by Olivia Newton-John (from GREASE) – Bede Jermyn
THE GOOD: Alright, let’s get down to one angle I am have really been digging this last couple weeks and that is the story surrounding the IC championship. It feels like a belt that is sought after again and The Miz and his outrageous “money maker” gimmick is entertaining the hell out of me. This … Continue reading
DEMOLITION MAN is one of my all time favourite movies, and this was the perfect choice for me to kick off 90s Action Movie Month! So sit back and enjoy the tweets! @supermarcey This is without a doubt one of the greatest films of the 90s #DemolitionMan Wow 1996 Los Angeles was quite the shit … Continue reading
DOWNLOAD HERE Super Podcast Audio Commentary: The Patriot (2000) Welcome back to another Super Podcast Audio Commentary listeners! This installment has been in the works for months and the forces that be finally let it happen! So join Super Marcey and Miss Bea as they commentate over 2000’s The Patriot, and why this film … Continue reading
THE DISAPPEARANCE OF ELEANOR RIGBY: HIM and HARD TO BE A GOD In this 15th and final edition of my 2014 MIFF video reviews, I share my thoughts on the 2nd half of the two-part film THE DISAPPEARANCE OF ELEANOR which is subtitled HIM and the Russian experimental sci-fi film HARD TO BE A GOD. … Continue reading
“The Trolley Song” by Judy Garland & The MGM Studio Chorus (from MEET ME IN ST. LOUIS) – Bede Jermyn
OBVIOUS CHILD and THE DISAPPEARANCE OF ELEANOR RIGBY: HER In this 14th edition of my 2014 MIFF video reviews, I share my thoughts on the abortion-themed indie romantic comedy OBVIOUS CHILD and the 1st half of the two-part film THE DISAPPEARANCE OF ELEANOR which is subtitled HER. – Bede Jermyn
Which bad film would you like to see Bede tackle next for his Bad Movie Tweet-A-Thon series? Vote in the poll below and whichever one gets the highest votes, he will live-tweet it! (voting closes on the 5th of September, Aussie time).
CUT SNAKE and I AM BIG BIRD: THE CAROLL SPINNEY STORY In this 13th edition of my 2014 MIFF video reviews, I share my thoughts on the 70’s set Aussie crime drama/thriller CUT SNAKE and the documentary on the life of SESAME STREET puppeteer Caroll Spinney I AM BIG BIRD: THE CAROLL SPINNEY STORY. … Continue reading
Hey everyone! Welcome to the 15th edition of my Bad Movie Tweet-A-Thon series. As you already know last month here on SuperMarcey.com I posted up poll with three bad movies and I said that whichever one out of those three films had the highest votes, I would watch and live-tweet for this column. Well, the votes are in and you all have … Continue reading
THE SEARCH FOR WENG WENG and QUEEN & COUNTRY In this 12th edition of my 2014 MIFF video reviews, I share my thoughts on the documentary on cult Filipino film star Weng Weng THE SEARCH FOR WENG WENG and director John Boorman’s long awaited sequel to his 1987 Oscar nominated film HOPE & GLORY, … Continue reading
So Jean-Claude Van Damme is one of my favourite actors and action stars, so how is it that I have not yet done a list related to him? Well that is now being changed, because I am here to offer a list! With all the things I could write about in regards to Van Damme, … Continue reading
This week, I am going to be discussing one of my all-time favorite directors/writers. The man has created such a unique stamp on the horror genre that it would be a crime not to include him. Stuart Gordon Stuart Gordan has created some of the most bizarre, some of the goriest, some of the most … Continue reading
Starring: Anne-Louise Lambert, Helen Morse, Rachel Roberts and Jacki Weaver Dir.: Peter Weir Based on the story by the same name by authoress Joan Lindsay, Peter Weir’s adaptation of ‘Picnic At Hanging Rock’ is a vague yet eerily disquieting gem of Australian New Wave cinema. This film isn’t about shock value or excess it’s exceedingly … Continue reading