Super Podcast Audio Commentary – Tango & Cash (1989)
Welcome back to another episode of The Super Podcast Fan Voted Audio Commentary! Every month over at The Super Network FB Group we run a poll of six films with a theme, and let the audience/fans decide on which film we will do an audio commentary on for that month! Join in the fun and check out our group!
Join your hosts Super Marcey and ‘The Terrible Australian’ Bede Jermyn as they welcome back Marcus Wilturner and Sean Clancy to The Super Podcast, because August’s theme was ‘Kurt Russell’ and that means party time! It is no secret that Super Marcey and Clancy are obsessed with Kurt Russell and they have much love for the film that received the most votes this month with Tango & Cash (1989). Plus this film marks the very first time we have actually done an Audio Commentary for a Sylvester Stallone film (at least that we can see), wowza!
Tango & Cash was directed by at least 4 different people during its troubled production, it stars Stallone’s glasses, Kurt Russell’s mullet, JACK PALANCE who doesn’t share any actual screen time with the stars, a young Teri Hatcher who looks like she could be Stallone’s daughter not sister and the double butt shot in prison.
If you have never listened to a commentary, here is how it works. You simply need to grab a copy of the film, and sync up the podcast audio with the film. We will tell you when to press start, it is that easy! You can listen to it while you watch the film or listen to it on its own.
* KURT RUSSELL!!!!!!!!!!!
* Marcus is sure Kurt Russell’s mullets has special powers.
* Clancy can’t handle Sly’s glasses, like at all.
* Marcey is just waiting for the shower scene.
* Bede drops trivia about the film’s troubled production.
* Kurt Russell does make a pretty lady.
* Did someone say impressions?
* For some reason we want to find out about the name Jack.
* Plus much, much more!
DISCLAIMER: This audio commentary isn’t meant to be taken seriously, it is just a look at a classic film. It is for entertainment purposes, we do not wish to offend anyone who worked on and in the film, we have respect for you all.
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