My Movie Song Of The Week #74

January 27, 2012

Blaze Of Glory” by Jon Bon Jovi (from YOUNG GUNS II)

- Bede Jermyn 


[The Super Five] 5 Random Martial Arts Films Worth Checking Out

January 26, 2012
Welcome to a brand new weekly feature here at SuperMarcey.com called ‘The Super Five’. This is a different take on the ‘Top 10′ or ‘List’ style features, where I take a subject and simply name five things. It isn’t a top list, just simply five things for your enjoyment! Enjoy the debut column!

While I have been recovering from some injuries, I’ve been watching some martial arts films. This got me thinking, what are five random martial arts films I’d recommend? Especially to people who may not be that familiar with genre, I’ve come up the following …

5.) THE KING OF THE KICKBOXERS (1990)

This is such a great film, it is a lot of fun to watch and by golly does it have some of the best martial arts you’ll see. The choreography is amazing, the final battle between my pal Loren Avedon and Billy Blanks is one for the books. I’ve seen this countless times, a great ride!

4.) WHEELS ON MEALS (1984)

A little gem from the year of my birth, this was directed by the absolutely fantastic Sammo Hung, who also stars with Jackie Chan and Yuen Biao. Memorable for Keith Vitali and of course the fantastic fight scene with Benny Urquidez which you can see above.

3.) UNDISPUTED II: LAST MAN STANDING

If you know me, you know I worship this film! I love everything about it, Michael Jai White and Scott Adkins light up the screen! The choreography is amazing, of course done by the man J.J. Perry! It looks fantastic and it is fantastically shot and directed by Isaac Florentine!

2.) REVENGE OF THE NINJA (1983)

I wasn’t going to have a martial arts list without the legendary Shô Kosugi! He is simply outstanding and I just love watching him do his thing. While Revenge Of The Ninja might be an odd film, the martial arts on display are top notch and well worth watching. Also another film featuring Keith Vitali!

1.) THE WAY OF THE DRAGON – MENG LONG GUO JIANG (1972)

I am sure it was expected I’d place Bruce Lee’s most famous film Enter The Dragon on the list, but I decided to pick another film of his. Perhaps this is best remembered for the legendary show down between Bruce and one Chuck Norris, but the film itself is a great ride and yet another reason why Bruce was such an amazing man.

Super Podcast Ep 90 – Ex2 PG-13? The Raid – Yes Please! Plus awesomely bad cinema!

January 23, 2012
Download HERE

Welcome to Super Podcast Ep 90 – Ex2 PG-13? The Raid – Yes Please! Plus awesomely bad cinema!
Welcome to another installment of Super Podcast! This episode of the Podcast has been sponsored by alcohol! Join your co-hosts Super Marcey with her vodka, Bede Jermyn sober and special returning guest Sean Clancy with a bottle of wine! We had a lot of stuff to cover, in this very awesome, fun and yes slightly drunk podcast!
PG-13 Expendables 2? Why? Because of Chuck Norris? The hell?!?!

The Raid gets us all excited, we even talk about a possible US remake and we want .. Liam Neeson?!

Dolph Lundgren is in some awesomely bad films including The Punisher and Universal Soldier!

John Stamos appears in the Kokomo video clip from the Beach Boys!

Bede talks about Hard Rock Zombies, it includes Hitler … HUH?!?!?

The Wizard, the greatest Nintendo commercial ever!

Demolition Man! What the heck do you do with 3 sea shells? Click the pic to find out!

As usual you can find us at:
Hosts on Twitter – @SuperMarcey and @BedeJermyn
Guest on MFC – the-clever-guy
Email at marcey@supermarcey.com
Join the SuperPodcast Facebook Fan Page
Subscribe via iTunes

Our Recommendations (January 20th 2012)

January 20, 2012
Every week the people of Super Website (Super Blog) will give you a recommendation of a Film, DVD, Bluray, Book, Soundtrack or any other item for you the readers to check out.
Super Marcey Recommends:

These Amazing Shadows

Having gone on a bit of a documentary binge recently, I was eager to discover something new. I wanted to find horror or film related documentaries, and good friend of the site A.J. Hakari recommended These Amazing Shadows, his favourite film of last year. I looked up the synopsis and I saw it was about the National Film Registry, the organisation that works to preserve motion pictures for the current and future generations.
What a great idea I thought, but I didn’t expect the film so have so much heart and actually cause me to tear up several times. It reminded me of why I love cinema so much and why I devote so much time to film and bringing you readers this wonderful website. They talk about how the Registry got started, after Ted Turner wanted to colourize old black and white films. They go over how films get chosen, and even over the restoration process. It is a fascinating film and one that every fan of film should see.
| IMDB | Purchase DVD | Purchase On Blu-ray |
Logan J. Fowler Recommends:

We Bought A Zoo

Last week I tried to go see The Adventures of Tin Tin, but apparently I guess I missed the boat on that one because it wasn’t at my local theater. Oh well. As a substitute, me and my lady friend chose We Bought a Zoo for the viewing of the evening,
Cameron Crowe’s latest is a very cute film that has some vulgarity in it, but is fun for pretty much all ages. The story centers around Benjamin (Matt Damon) a widower with two kids who needs a life change. He has a very troublesome relationship with his son (Dylan), who is rebellious against his father’s parenting. When Benjamin decides to buy a house in the country that is actually on zoo property, he needs the help of the staff he becomes acquainted with and his family to put the animal attraction back on the map.
I must give major applause to Maggie Elizabeth Jones, who plays Rosie, Benjamin’s daughter. She is the cutest little actress I’ve ever seen and she steals every moment she has in the film. Her facial expressions are priceless and she never, ever came off as annoying. Hollywood may not be kind to her in the future, as with child actors, it never is but I hope she gets roles in the near future. She was absolutely adorable.
We Bought a Zoo does run some cliche routes-the father/son problematic relationship, and its a “by the numbers” kind of tale with the zoo upkeep and the “will they/won’t they” ability to succeed by the date of opening, but the film uses its wonderful cast, both humans and animals, to rise above those factors and make it its own. With that said, We Bought a Zoo is an uplifting, beautifully shot film, and I quite enjoyed it, as well as the company I was in the presence of.
| IMDB |
Nick Bosworth Recommends:

Sexy Beast


There’s been a huge amount of British gangster films over the past decade or so that have been pretty amazing for the most part. However one gem always stands out in my mind as one of the best ever and that is the unforgiving and powerful SEXY BEAST. It’s the story of a former British gangster anmed Gal (Ray Winstone) who has left his criminal life behind in the secluded hills of Spain yet he still suffers the demons of his past life. The demon I speak of is a psychotic gangster named Don Logan (Ben Kingsley) that tracks him down to his home in Spain in order to recruit him for a special job back in Britain. However Gal has had enough of that life but his refusal to Don has major consequences that take place throughout the rest of the story (I won’t spoil anything here).
There’s no question whatsoever that this film is purely about a battle between two men which means that the performances are absolutely key to the film making an impact. Well Ben Kingsley not only made an impact but he forever proved that just because he played Gandhi doesn’t mean that he can’t scare the piss out of you in another role playing a hardened criminal. The role of Don Logan earned Ben a Best Supporting Actor nomination and I still feel to this day that he deserved the win even though it was taken by Jim Broadbent for “Iris”. On top of Ben’s legendary performance was also the rest of the cast who were superb with the biggest stand-outs being Winstone and the king of cool Ian McShane.
With top-notch directing, a terrifically mind-bending soundtrack, a brilliant script and amazing performances given by all involved, SEXY BEAST while still a small gangster film remains one of my all-time favourites amongst others like LONG GOOD FRIDAY and GANGSTER NO. 1 (which funny enough came out the same year). It gets an incredibly high recommendation from myself so if you haven’t seen it like so many out there haven’t still, you’re really missing out. Cheers!
| IMDB | Purchase on DVD |
Garrett Collins Recommends:

Imaginarium by Nightwish

When thinking about what I could recommend to readers of this site, it occurred to me that there really hasn’t been anything that has caught my eye as of late. However, something has caught my ear. This week, the highly anticipated Nightwish album Imaginarium hit shelves here in the US, and, I must say, it has lived up to every bit of anticipation that I had. For those that do not know, Nightwish is a heavy metal band that got their start in 1997, and have really turned the term ‘progressive metal’ on its heels. With each passing album getting bigger and more grandiose, Nightwish had hit after hit overseas, yet has never quite caught on Stateside. I feel with Imaginarium, that is going to change. If I were to describe their sound to someone who has not heard their music before, I would say think heavy metal combined with a ripping Hans Zimmer-type background score. On this album, they combine these aspects, along with 80s era metal riffs, and lead singer Annette Olzon’s strengths. She sings sometimes playfully, sometimes captivatingly, but on this album, almost always dead on.
For those who have followed this fabulous band over the years and say repeatedly that the absence of old lead singer Tarja Turnenen in 2006 has destroyed their sound, are really doing a disservice to the songwriting skills on keyboardist Tuomas Holopainen. The criticism lashed at their last album was really unfair, given it was the first without Tarja. But, here, Holopainen answers all the critics with a vengeance. Songs like “Ghost River,” “I Want My Tears Back,” Rest Calm,” and “Last Ride of the Day” are Nightwish at their best. Swooping guitars with the sometimes there, sometimes not background singing of bassist Marco Hietala. What was most interesting about this album though is how they have used Olzon’s voice. It is not an experiment anymore. This being her second album with the group, they have instilled shrills and some tracks of her singing in the background, which is a great way to use her voice. If you are a heavy metal, progressive rock, or even movie soundtrack music fan, you could do way worse than checking this album out. Speaking of soundtracks, there is supposedly a movie based on this album’s concept in the works. Consider me officially signed up for Nightwish’s ‘Storytime.”
| Purchase on CD |
Pat Torfe Recommends:

Alien


Alien. That’s it. What more do I have to say? Okay, Ridley Scott’s 1979 classic not only introduced us to the concept of screaming in space (and how no one can hear it), but also gave us one of the most memorable heroines in film history in Ellen Ripley. Plus, it gave us an excuse to not turn the lights off at night. To this day, the trailer for Alien is the only one that I consider to be the scariest trailer that I’ve ever seen. Some have come close, but nothing grips you like that one. And like the trailer, the film grips you just as much, if not more.
Okay, quick intro: the crew of the Nostromo (a commercial towing spaceship) are heading home to earth when their journey is interrupted by a distress call from a nearby planet. The crew descend onto the planet where three of them investigate on the surface. There they find what appears to be a crashed spaceship with hundreds of eggs, one of which hatched and the organism inside attaches itself to one of the crew’s face. In the ensuing hours, the crew make a horrifying discovery about the organism, and what happens when you break quarantine.
Originally written by Dan O’Bannon, Alien has a story that grabs you by the balls and doesn’t let go. It may seem a little slow at the beginning for some of the younger fans, but dammit, the film just envelopes you in its details and its environment (credit Ridley and his crew for going above and beyond for that). It’s so enveloping that I never noticed Jerry Goldsmith’s score, which is subtle enough and shows up in the right moments to add to the horror onscreen. Of course, the big thing about this film is the alien itself. Created by H.R. Giger, the xenomorph’s look is a sleek techno-organic nightmare. Plus, the exclusion of eyes makes it, as Giger puts it, “more dangerous”. I couldn’t agree more.
If you haven’t seen this one, by all means SEE IT. If you have, SEE IT AGAIN. While you’re at it, grab the Alien Anthology on Blu-Ray or the DVD equivalent Alien Quadrilogy. ’nuff said.
| IMDB | Purchase on DVD | Purchase on Blu-ray |

DVD Review: Anuvahood [M15]

January 20, 2012

Dir: Adam Deacon, Daniel Toland
Starring: Adam Deacon, Femi Oyeniran, Ollie Barbieri, Jaime Winstone

The Film:
Anuvahood is an odd film, and it really isn’t something easy to write a review about. On the one hand it is a really silly and just all over the place kind of film but on the other hand it has its moments of humour and it works as a strange spoof. It reminded me of The Ali G Movie the most, whether or not that was any kind of influence I don’t know. Co-director and star Adam Deacon has made a name for himself in films such as Kidulthood, Adulthood, Shank and 4.3.2.1. This is a huge departure from those, whereas they had a serious tone and this aims to make people laugh and obviously not to be taken seriously.

The plot (if there even is one?) is paper-thin, we have Kenneth aka Kay who is a wannabe bad boy, he wants to become an actual gangster. Is this his coming of age? Is he really worthless and hopeless, can he over come adversity to achieve his dreams? Yes, this is the film, and even then I am not sure I have really described it.

It is all over the place, the start of the film especially is quite confusing. It took me a while to settle in and understand what was going on. I also had trouble understanding what was being said, it’s mostly because I am not used to that type of lingo and I’ve always had a few issues with it. The way the film kept bouncing around and was poorly structured really kept it down, it was often confusing and hard to understand. Which is a shame because there was a lot of potential there, and some scenes worked really well and were quite funny. It is disappointing when elements can’t quite come together properly.

Acting wise, the cast was so-so, no one really stood out and no one was overly awful. They were all just there, and did what they could to make it work. Adam Deacon honestly was fine, and I didn’t have any issues with him. It was obvious this film meant a lot to him and I could see his hard work, which is why I want to mention him. The man is funny, and he has some great ideas, they just weren’t fully realised here. It is a fair effort and I applaud him for taking a chance with something so off beat and trying to make it work.

This film wont be for everyone, some will get it and others wont. As I mentioned it reminded me of The Ali G Movie and that worked a lot better despite how insane that was, it at least had a clear plot and it flowed really well. Yes Anuvahood is hit and miss, I don’t think it was quite the disaster some critics have said, and there was some effort involved and it was entertaining in parts.

The Australian DVD:
The DVD I reviewed was a screener, so I am unable to comment on Picture/Audio quality.

Rating:

DVD details here.

Thanks to Bill care of Curious Films for the copy.


DVD Review: 22nd Of May [MA15]

January 19, 2012

Dir: Koen Mortier
Starring: Sam Louwyck, François Beukelaers, Titus De Voogdt

The Film:
22nd Of May will certainly go down as one of the more unique films I have seen recently. This is an art house film through and through, which may or may not turn people away. I mean I certainly hope not because this is worth giving a shot but it wont be for everyone.

The story is about a mall security guard, who goes into work one day and a bomb explodes. He tries to save people, but he then runs off and finds himself in a type of purgatory. There he is confronted by those affected by the blast, and whether or not he was at fault for what happened.

It sounds strange and it really is, it takes awhile to really engage into what is happening after the blast. The first 10 minutes of this film are almost without dialogue, and it is beautifully shot and we get a sense that something is going to happen. After the blast it takes such a strange turn and it takes awhile to take all of this in and adjust. It isn’t quite clear at first what is going on, but as we begin to meet these victims we kind of ease into it. I mean this is what I understood, I am sure others may have a different interpretation.

The film goes through a slew of different characters; there are different stories to be told and different views to be seen. It eventually takes a turn, which I will not reveal here, and while some of the in-between lost me, this turn really struck me hard. The way the film ends is quite beautiful in a way, and its slow motion and artistic expression is amazing. It is an extraordinary visual to experience, and it is in a way the perfect way to wrap the film up.

The performances here are on and off; the one person who remains on throughout the entire film is the star Sam Louwyck. He carries the film and remains a constant, we are with him from the beginning and he really never lets up. The victims are the ones who are either good or they aren’t, this has a lot to do with how their part was written. Some have rather bland roles and stories to tell and they just can’t work it above that written level. Some of them lost me, others didn’t it, it was just a really big mixed bag and depending on how others feel it will either be something that doesn’t bother you or you’ll find it irritating.

This film is directed well and just beautifully shot, it was edited well and it is a real piece of art. The film has a kind of strange Lynchian feel, which is partly why I was drawn to it. It is about life, death, decisions, regret, and it will certainly leave the viewer pondering these and more for quite some time after watching this.

The Australian DVD:
The DVD I reviewed was a screener, so I am unable to comment on Picture/Audio quality.

Rating:

DVD details here.

Thanks to Bill care of Accent Film Entertainment for the copy.


DVD Review: Daylight Fades [MA15]

January 19, 2012

Dir: Brad Ellis
Starring: Matthew Stiller, Rachel Miles, Allen C. Gardner, Rachel Kimsey, Clare Grant, Kim Justis, Dennis Phillippi, Michael Gravois.

The Film:
You know what type of film that disappoints me the most? It’s a film that has all the elements to be great but unfortunately the end result becomes a rather mediocre. It’s a shame because DAYLIGHT FADES shouldn’t have been one of those films. I didn’t know anything about it when I was sent to review it but after reading what is was about, it peaked my interest right away. First off it’s an indie film about vampires, which is pretty good because I enjoy a vampire film but what sold me most about it was that the film plays more like a drama than a horror film. For me the best types of horror films are ones that have a lot of emotional dramatic elements to them (examples include THE SIXTH SENSE, LET THE RIGHT ONE IN, INTERVIEW WITH THE VAMPIRE, THE EXORCIST, HEARTLESS etc.), so I was very much looking forward to watching and reviewing this film, sadly the film ended up being pretty average.

The film tells the story of Johnny (Matthew Stiller), a shy sensitive young man with a good heart, and Elizabeth (Rachel Miles), a jaded young woman who’s had a very troubled life, meet one night at a bar and right away begin a relationship with each other. While it starts off really good, everything begins to fall apart when Johnny wants to take their relationship to the next level by admitting that he is in love with her. Elizabeth feels that this is too much for her and she tells him that she can’t commit to him. Johnny is devastated by this news and he breaks up with her. Later on while driving home with a friend, Johnny gets into a car accident. When Elizabeth gets to the hospital, the Doctor tells her that Johnny’s injuries are really severe and that he might not last the night. However a mysterious, quiet man named Seth (Allen C. Gardner, who also wrote the screenplay), sees Elizabeth’s pain and decides to help her by saving the life of her boyfriend. But the only way that he can do that is by turning Johnny into a vampire.

After reading the synopsis, you can definitely see why this film appealed to me. It had a story that could have had made it unique and different that in the right hands it could have been a terrific film that could easily stood along one of my favourite vampire films LET THE RIGHT ONE IN. It’s sad that the script, the pacing and the cast are all what stop it from being a truly great film. The cast try their best with their performances but most of them were just average. Rachel Miles was one-and-off as Elizabeth (especially during some of her character’s big emotional moments), Allen C. Gardner was wooden as Seth and some of the supporting cast were pretty awful. Also even though the film is 90 minutes, I think it would have benefited with a longer running time. It should have been 15-20 minutes longer because the pacing in the 1st half of the film was too rushed for my liking (it didn’t help that didn’t give us enough time to invest in Elizabeth and Johnny’s relationship. They basically get together and then break-up within 5 minutes ). While the film does bring up some very interesting themes and ideas, but it didn’t quiet explore them enough (although it starts to in the last half of the film). Also there were some scenes and characters that were either pointless or poorly constructed.

However despite all the negatives, there were some aspects of the film that I actually did like. While he did have the occasional on-and-off moment in the beginning, I thought that Matthew Stiller was solid as Johnny for most part. His performance definitively had my attention though out the film. But for me the best performance in the entire film was Rachel Kimsley as Raven, an evil vampire who tries to bring Johnny over to the dark side. She is definitely without a doubt one of the best things about the film and I enjoyed every scene she was in. You can definitely tell that she relished playing the part. Also the despite the film’s clearly low budget feel, director Brad Ellis does a solid job with his direction. He gives the film a visually stylish and moody flair that hides its indie quality quite well. As strange as it may seem but I have a feeling that he might have been influenced by David Fincher when it came to his visual approach to the film. The way it was shot and lit it felt a lot like a David Fincher film. Plus the cinematography was really good, the score was nicely done and there are actually a couple of scenes that were sprinkled though out the film that I found to be quite affective (especially the ending, which was done pretty well. also I loved the final shot that film ends on).

So while DAYLIGHT FADES does have its good qualities, it’s still unfortunate that overall itself film was pretty average. Like I said before, it definitely had potential to be a great vampire film but doesn’t quite get there. However will give the filmmakers credit for at least trying to make something that was much thoughtful than most vampire films. I just wish it could have been a much better film.

The Australian DVD:
The DVD I reviewed was a screener, so I am unable to comment on Picture/Audio quality

Rating:

DVD details here.

Thanks to Bill care of Accent Film Entertainment for the copy.

- Bede Jermyn


DVD Review: Small Town Murder Songs [M15]

January 19, 2012

Dir: Ed Gass-Donnelly
Starring: Peter Stormare, Aaron Poole, Martha Plimpton, Jill Hennessy

The Film:
I really liked Small Town Murder Songs, the small town with a mystery setting, a main character whose past still haunts him, a murder to be solved, what isn’t there to draw in the audience? Sure these elements are not new, but the way writer/director Ed Gass-Donnelly tackles it is. This kind of felt like something you might see the Coen Brothers attached to but there are certain elements that make this one of a kind.

We have a police officer Walter (Peter Stormare), living in small town Ontario, he has a past to hide and he’s a mysterious presence. He soon finds there has been a murder of a young woman, and everything he finds out has strings to his former life, including a former flame Rita (Jill Hennessy).

I really hate to divulge too much information on the plot, because watching this all unfold is quite fascinating and there are many mysteries within this layered piece. It is held together by a strong script, solid direction, great performances, really fantastic editing and an absolutely haunting score by Bruce Peninsula. There are so many ingredients with this film and they all blended together to perfectly, which made this such a beautiful watch.

As I mentioned the film boasts some great performances, led by the always-watchable Peter Stormare. This is one of the most layered and stunning performances I have seen from the man, he always delivers trust me but there was just something about his role as Walter that really hit hard. If you are a fan of Stormare’s you owe it to yourself to see this film and watch the man ooze his talents. He disappears into the role, and I honestly forgot I was watching a performance; it was so raw and natural. The combination of this character, the script and Gass-Donnelly’s direction was perfect for Stormare, and I hope somewhere down the line these two can work together again.

Everyone in this film was impressive, but I particularly was taken with Martha Plimpton in this as Sam, Walter’s girlfriend. She is a great actress and she can disappear into any role whether it be dramatic or comedic, and this was no different. There was a certain type of vulnerability she showed with this character that worked, but there was an inner strength as well, things that you could really see in her eyes as she delivered her performance. I was extremely impressed by her, and again I would love to see her work with the director and Stormare again.

This is a great film, a really stunning piece and I was most impressed with what Ed Gass-Donnelly crafted as a whole. If you see this sitting on the shelves or online somewhere, you really need to check this one out, you wont be disappointed.

The Australian DVD:
The DVD I reviewed was a screener, so I am unable to comment on Picture/Audio quality.

Rating:

DVD details here.

Thanks to Bill (Gryphon Entertainment) care of The Analogue Titles for the copy.


My Movie Song Of The Week #73

January 18, 2012

“Hard Sun” by Eddie Vedder (from INTO THE WILD)

- Bede Jermyn 


[The Super Five] 5 Horror Documentaries That Know Their Stuff

January 18, 2012
Welcome to a brand new weekly feature here at SuperMarcey.com called ‘The Super Five’. This is a different take on the ‘Top 10′ or ‘List’ style features, where I take a subject and simply name five things. It isn’t a top list, just simply five things for your enjoyment! Enjoy the debut column!
For research with my bi-weekly Dissecting The Director column over at Arrow In The Head, I decided to re-watch and seek out a bunch of film/horror related documentaries. This led to me watching a bunch of doco’s in general, but for this weeks Super Five I decided to focus on the the horror related ones. There are a lot of fluff pieces out there when it comes to the genre, but the following five are ones I found actually delved into the subject and weren’t afraid to get down and dirty with it. Highly recommended for fans and non-fans alike.

5.) FLESH AND BLOOD: THE HAMMER HERITAGE OF HORROR (1994)

I am a bit of a noob when it comes to Hammer Horror, and this is something I want to change. Keep your eyes peeled on the site for a new feature, but back to business, I was curious about Hammer and this film came recommended to me by A.J. Hakari a good friend and podcast guest. I trust his recommendations when it comes to matters such as these, and he wasn’t wrong. Sure this is an old documentary but they do cover a lot of ground, from its inception to its last days, it goes over everything you need to know about Hammer. It is thorough, narrated by Christopher Lee with a lot of great and entertaining interviews, I especially liked the Peter Cushing stuff. New to Hammer or if you are a seasoned veteran of their films, this is a great watch.

4.) AMERICAN GRINDHOUSE (2010)

Now this one covers more than just horror, but a majority of it falls into the category. American Grindhouse is about films that I really enjoy, exploitation pieces. I can’t really explain my love for them, but this film kind of shows why and it really takes a look at its long history and development over the years. The interviews are great, the films covered are very much worthy and they go over so many sub-genres and ones you might not have even thought of. Its fun, its informative, it is great for Grindhouse/Exploitation fans and a good place to start if you are keen to get into them.

3.) NIGHTMARES IN RED, WHITE AND BLUE: THE EVOLUTION OF THE AMERICAN HORROR FILM (2009)

This is a fun film, narrated by Lance Henriksen, this goes through the history of horror in America. From the early days with Universal horror, to the likes of Night Of The Living Dead and Halloween it goes over all the fazes and crazes, the films that made an impact and the ones that didn’t quite get there. It shows a lot of interesting things, talks to some great names and really gives the audience a love and understanding of the genre. This is more for people who might not be too familiar with the genre as a whole but fans will get a lot out of it as well.

2.) GOING TO PIECES: THE RISE AND FALL OF THE SLASHER FILM (2006)

I absolutely love this doco, the slasher sub-genre is where I really first took notice of horror and it was films like Scream, Halloween, A Nightmare On Elm Street that really got my juices flowing as  young kid. I owe a lot to these films, they really shaped who I am as a horror fiend. This is so informative, the interviews are very frank and everyone is open about the subjects. I really loved the censorship stuff, and Felissa Rose really gets a great point across and I certainly share her feelings. Could not have asked for a better look at this sub-genre, made by fans for fans, a truly awesome piece.

1.) THE AMERICAN NIGHTMARE (2000)

My good buddy Jason Bene recommended this one, I hadn’t heard about it and I wasn’t sure what to expect. This is a fantastic piece, it really is, it takes on a different look and way of thinking with horror films. It covers the films from the likes of Romero, Carpenter, Landis, Craven, Hooper, Savini; you know the usual suspects who emerged from the 60′s and 70′s. It shows these films in light with the events that were happening at the time, and motivations behind the films were revealed. I especially found it fascinating to hear Savini talk about his time in Vietnam and how it inspired him to do what he has become famous for. If you can track this down it is well worth the ride, it is well made and expressed and there is nothing quite like it out there.

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