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[Junesploitation ’22] Mini Reviews: Starship Invasions (1977) and Wild Gals of the Naked West (1962)

Marcey reviews Day 01 and Day 02’s films Starship Invasions (1977) and Wild Gals of the Naked West (1962) to kick off Junesploitation Continue reading →

Bede’s Bad Movie Tweet-A-Thon #101 (9th Anniversary Edition): Burial Ground – Nights Of Terror (1981)

Hey, everyone! After 7 month hiatus, Bad Movie Tweet-A-Thon is back with this 101th edition to collide the 9th anniversary of this column’s debut! Now you all are probably wondering why has it taken so long for me to write up a new edition? First up I want to apologise for the long delay of … Continue reading →

[Audio Reviews] The Innocents (2021) and Hatching (2022) by Bede Jermyn

While childhood can be a wonderous and adventurous time in our lives growing up, it can also be a dark and terrifying place as well. Over the decades, many great horror films used childhood as the basis to tell very effective and chilling horror stories. Whether it dealing with real life terrors that could happen … Continue reading →

[Review] The Sadness (2021) by Marcus Wilturner

In this modern age, where the global pandemic shows inconsistent signs of slowing down, revving up, then slowing down again, artists of all mediums have reached an expanding renaissance of creativity, especially in horror. So far we’ve seen quite a few projects that used the last two years as inspiration, as well as commentative reflection, … Continue reading →

[Review] Soul (2020) by Marcus Wilturner

***The Following Review Contains Spoilers*** What is the meaning of life? What is the purpose of oneself? Is living meant to be ordinary or extraordinary? Does any of that matter in the grand scheme of things? Or does all of it matter in the littlest scheme of things? Such questions and more are explored, pondered, … Continue reading →

[Review] Doctor Strange In The Multiverse Of Madness (2022) by Marcus Wilturner

As this humble schmoe has stated on a number of occasions, 2021 was a stellar time for the House of Mouse and the empire that Stan Lee/Kevin Fiege built. Completely wondrous to behold as casual and obsessive fans alike reached a hightened state of comic nirvana, complete with zen-like enlightenment and thought-bubble fulfillment. Even though … Continue reading →

[Audio Review] The Unbearable Weight Of Massive Talent (2022) by Bede Jermyn

Over the pass 100 years of cinema, Hollywood has produced many actors who have been considered by many as some of the greatest and beloved stars of all time. However there is one actor in particular who stands out due to how unique and eccentric of a talent he is. That, of course, is the … Continue reading →

[Review] Deep Water (2022) by Marcus Wilturner

We’ve seen it all before in our respective little lives as well as shows, novels, and even reality television…when the sex is great, everything else that matters can fall by the wayside, including common sense and decency. The act of sexual congress is by far one of the most amazing and dangerous acts we as … Continue reading →

[Review] The Batman (2022) by Marcus Wilturner

Since 1939, the crime-fighting, brooding, defender of Gotham City has reached multiple statuses over the decades from strange occurrence to pop-culture icon to transcendent figure of quintessential reality. He’s had an abundance of creative highs and commercial lows the likes of which haven’t been seen by any other astronomically popular character. Nearly everyone on the … Continue reading →

[Review] Texas Chainsaw Massacre (2022) by Marcus Wilturner

The Texas Chainsaw Massacre as a franchise is a captivating yet unscrupulous query. Despite multiple chances, directors, writers, and the changing of the scope in horror as a genre, it appears that the premise of a psychopath wielding a rusty chainsaw and wearing a skin mask made out of his victim’s faces can’t seem to … Continue reading →

[Audio Review] Aline (2021) by Bede Jermyn

Over the pass 20 years, film biopics on world famous and well-renowned singers have been all the rage at the cinema. While some take a rather traditional and conventional look into their subject, (RAY, WALK THE LINE, BOHEMIAN RHAPSODY, RESPECT etc.), there are others that strive to be more unique and experimental instead (I’M NOT … Continue reading →

[Review] Candyman (2021) by Marcus Wilturner

This year has produced quite the multiple returns from icons in regards to horror. In not only the passing of legacies but the resurgence of the old guard. Jigsaw returned, Chucky came back, Michael Myers returned to Haddonfield, and if it counts, even Godzilla and King Kong re-emerged to duke it out. (Some circles consider … Continue reading →

[Review] The Green Knight (2021) by Marcus Wilturner

At this point it’s common knowledge that movies constructed by the production company known as A24 have been mostly for a certain kind of crowd. Their appeal is drawing in those who value film as evolving art, and those looking for interesting and idiosyncratic cinematic voices. The people involved with the now well-known company aren’t … Continue reading →

[31 Days Of Horror ’21] Mini Reviews: Oculus (2013) and It Came From Beneath The Sea (1955)

Marcey continues 31 Days Of Horror with reviews for Day 27 and 28’s films Oculus (2013) and It Came From Beneath The Sea (1955) Continue reading →

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