Dynamically fast-paced, action-packed, quirkily hilarious, boldly heartfelt, and sporting a semi-jarring amount of mature themes (which isn’t surprising given we’re into the MCU’s adult-era of content), Marvel Studios’ latest contained adventure featuring a rag-tag group of flawed villains/anti-heroes coming further into their own overdue growth and niched spotlight confirms a few unknown testaments to the company’s rousing longevity and creativity….soaring to further heights.
At its helm, Thunderbolts* (2025) is a taut and formidable underdog story where characters known for doing bad things for the wrong/right reasons are faced with their own inner demons, operating within a morally-ambiguous framework, guided by their own nihilistic north star. Desperate to find purpose, acceptance, and connection.
In a world where larger-than-life heroes are saving the world, establishing and leaving behind legacies to be emulated and succeeded, it’s easier than ever to become lost in uncertainty, never finding significant footholds in a life not lived spectacularly. Each character, especially Yelena Bolova (Florence Pugh being a delightful driving force as usual) are trying to find their way back to humanity within this Brave New World, and in the process, coming together at the behest of a psychologically whole Bucky Barnes (Sebastian Stan being dependably stellar as usual), in the most likeliest of circumstances to accomplish the greater good. But in order to save others, they must first save themselves.
Marvel proves once again why it’s a machine that keeps moving, crafting, and entertaining swimmingly, relying on its un-celebrated ability to not only bring new creations into existence, (such as Robert “Bob” Reynolds aka The Sentry, played by also solid Lewis Pullman, making his layered and insane debut) but pluck others from halls of obscurity, breathing new life and significance back into them (like David Harbour’s Red Guardian, Hannah John-Kamen’s Ghost and Wyatt Russell’s John Walker. All excellent showings).
At the same time, it’s celebrated ability and history of grabbing up supreme talent in front of and behind the scenes continues to pay off as everything across the board is remarkably sound, from the uber-fantastic performances and authentic chemistry from the cast to the spectacular effects, to the grand cinematography (Thanks once again to ON LOCATION shooting instead of sets with green screen). One thing Marvel always brings is the spectacle and this was no exception. 
Bottom line, a wildly magnificent conclusion to Phase 5 of the Marvel Cinematic Universe. One that enthralled and engaged as well as surprised and riveted. A surprisingly wholesome, devastating, righteously uproarious existential journey for these dangerous wayward souls turned B-Team. A potent thrill-ride that hits the fucked up and poignant cores just right for full emotionality. And it’s simply a freaking blast too. Can’t forget that.
I would say Marvel does it again but at this point it seems redundant. Either way, bring on the next adventure of Riri Williams aka IRONHEART, the long awaited introduction of the fantastic FIRST FAMILY and the next phase of this ever expanding universe!
Golden age people. Golden. Freaking. Age.
May it NEVER end.
Rating:
Review by Marcus Wilturner
The Super Network 